Altogether, these shots represent Diane’s inability to deal with both the guilt of taking out Camilla and her failed Hollywood dreams. While that series of shots might seem disconnected, it becomes easier to understand when we break down the various parts piece by piece. Finally, the movie closes with the woman with blue hair whispering “Silencio.” Then there are several shots of Diane-and-Camilla/Betty-and-Rita smiling over the cityscape of Los Angeles. Then smoke fills her room, and out of the cloudiness comes the homeless man that lives behind the dumpster at Winkie’s. To escape, Diane runs into her bedroom and shoots herself with a handgun. They grow to human size and chase Diane around her apartment. First, miniature versions of Irene (the elderly woman from the beginning of the movie) and her husband crawl under Diane’s front door. The very end of Mulholland Drive involves a strange sequence of events. The ending of Mulholland Drive explained A recap of Mulholland Drive‘s ending Questions & answers about Mulholland Drive.Why is the movie called Mulholland Drive?.The themes and meaning of Mulholland Drive.The ending of Mulholland Drive explained.The movie then ends with a visual eulogy to Diane’s existence as she disappears into the ether like so many aspiring actors have, like so many misguided souls have before her. Unequipped to process this crippling reality, Diane takes her own life. She must confront the terrible sin she’s committed she must recognize that her Hollywood Dream wasn’t realized she must admit that she’s in mental disarray, that she’s in need of serious help. Here, Diane can help Camilla find her identity and remain alive, all while realizing the Hollywood Dream she never achieved.īut eventually, Diane has to come out of the dream. Diane doesn’t want to confront the real world where she’s murdered Camilla, so she escapes into the kind of fairytale land that was sold to her as an aspiring actress. The entire dreamy narrative follows its own set of rules that exist outside the logic of reality, yet everything that happens in the dream ends up being a reflection of reality. Throughout the dream, we see people from the real world reimagined as new people in the dream world. In this dream, Diane becomes Betty and Camilla becomes Rita. What follows is a dream sequence that makes up most of the movie. Following that decision, Diane is overcome with guilt and goes to sleep. Overcome with rage and jealousy, Diane pays someone to murder Camilla. Camilla also starts to date famous Hollywood director Adam Kesher. She begins a relationship with Camilla, who quickly becomes the Hollywood star Diane wanted to be. But before long, she discovers her Hollywood dreams are far tougher to realize than she thought. But when you view the story chronologically, it becomes simplified: At an early age, Diane wins a dance contest and moves to Hollywood to pursue a career. ![]() The plot of Mulholland Drive may seem complicated because it’s told out of order. David Lynch uses Hollywood as a means of exploring this mental anguish. As a result, we fail to build our own personal foundations, to create our own stories, to follow our natural narratives to happiness. We become horses chasing a carrot on a stick, fueling the larger capitalist system that surrounds us. Oftentimes, we chase a dream that will never be realized-a dream, ironically, we never truly wanted in the first place. We are constantly told what is important and what makes life worth living, to the point where we always look forward and never remain present. But on a deeper lever, the film is about the pressure we feel to live a life that is not our own. In the most straightforward sense, Mulholland Drive is all about the “Hollywood Dream” that is sold to aspiring actors and filmmakers.
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